Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Albert Anker
Excess

ID: 82601

Albert Anker Excess
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Albert Anker Excess


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Albert Anker

1831-1910 Swiss Albert Anker Galleries During his studies, Anker produced a series of works with historical and biblical themes, including paintings of Luther and Calvin. Soon after returning to Ins, though, he turned to what would become his signature theme: the everyday life of people in rural communities. His paintings depict his fellow citizens in an unpretentious and plain manner, without idealising country life, but also without the critical examination of social conditions that can be found in the works of contemporaries such as Daumier, Courbet or Millet. Although Anker did paint occasional scenes with a social significance, such as visits by usurers or charlatans to the village, his affirmative and idealistic Christian world-view did not include an inclination to issue any sort of overt challenge. Also prominent in Anker's work are the more than 30 still lifes he created. They depict both rural and urban table settings in the tradition of Chardin, their realist solidity reflecting Anker's vision of a harmonic and stable world order. In addition, Anker created hundreds of commissioned watercolours and drawings, mostly portraits and illustrations, including for an edition of Jeremias Gotthelf's collected works. To provide for a steady income, Anker also decorated more than 500 faience plates for the Alsatian producer Theodore Deck. Anker was quick to reach his artistic objectives and never strayed from his chosen path. His works, though, exude a sense of conciliation and understanding as well as a calm trust in Swiss democracy; they are executed with great skill, providing brilliance to everyday scenes through subtle choices in colouring and lighting. Their parochial motives belie the open-mindedness towards contemporary European art and events that Anker's correspondence reflects.  Related Paintings of Albert Anker :. | The Artist's Daughter Louise | Huftbild eines Madchens | Die Kartenlgerin | Excess | The Creche |
Related Artists:
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
Anton Hickel
(1745 - October 30, 1798) was an 18th-century painter. Hickel was born in Český Krumlov, Bohemia, and enrolled in the Academy of Fine Arts Vienna in Vienna, Austria in 1758. After graduation, he worked as a painter under his brother, Joseph Hickel, who was also a painter. Beginning in 1779, he served as a traveling portrait painter. He spent considerable time in Munich where he painted Charles Theodore, Elector of Bavaria, among others. He then traveled in southern Germany, Switzerland, then to Mannheim and Mainz. He moved to Switzerland in 1785, and then became the official court painter of Joseph II, Holy Roman Emperor. In 1786, he travelled to France where he painted under the patronage of Marie Antoinette and Marie-Louise, princesse de Lamballe. He died in Hamburg.
Georges Croegaert
1848-1923) was a Belgian academic painter. He was born in Antwerp, Belgium in 1848, and spent most of his life in Paris. Croegaert is associated with both classicism and anti-clerical art.






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